Danny Gan

1:02

How To Desqueeze Anamorphic Footage | Pixel Aspect Ratio | DaVinci Resolve Tutorial

9:03

Sirui 40mm 1.33X AF Anamorphic Lens | Download Sample Footage | DaVinci Resolve Tutorial

18:29

FASTEST Way To Color Grade DJI D-Log M | Osmo Pocket 3 & Osmo Action 4 | DaVinci Resolve Tutorial

9:24

FASTER WORKFLOW? | Group Clips Explained | DaVinci Resolve Tutorial

14:10

PRO-LEVEL Travel Commercial Color Grade | Sony S-Log3 | DaVinci Resolve Tutorial

5:19

Project Color Management Settings Like A Pro | Davinci Resolve

5:12

Beginners Do This ALL THE TIME | DaVinci Resolve Tutorial

6:44

Color Boost Is More Than You Think | DaVinci Resolve Tutorial

0:14

I’m not sure why the Rec709 looks so flat either…must be overexposed #colorgrading #davinciresolve

0:13

Color Grading + VFX for Marina Bay Sands Craft project #colorgrading #davinciresolve

0:20

#malaysiancolorist #colorgrading #davinciresolve #postproduction #colorgrade

0:20

4 March 2025

0:20

Moody grade #malaysiancolorist #colorgrading #davinciresolve #postproduction #colorgrade

0:20

#filmcolorist #cinematography #postproduction #cinematographer #davinciresolve #colorgrade

18:49

How To Use LUTs Like A Colorist | Colorist Vault Creative LUTs

13:13

How to Grade TOP GUN GOLD Film Look | DaVinci Resolve Tutorial

18:28

How to Grade MUTED GOLD Film Look | DaVinci Resolve Tutorial

10:06

Pro Colorist DEBUNKS Overexposing Sony S-Log3

8:30

LIFESAVER TIP For Grading Sony S-Log3 | Saturation Compression in DaVinci Wide Gamut

6:26

6 Months Later...PRO Colorist Reviews Micro Color Panel

22:00

BEST NODE TREE For Color Grading In DaVinci Resolve | Visionary PowerGrades V5.0

12:51

NEW CORE LOOKS in the Film Look Creator | DaVinci Resolve Tutorial

9:58

COMPLETE Tutorial for Davinci Wide Gamut | DaVinci Resolve Tutorial

19:28

[EP01] Ask a Colorist | Creating Looks, Becoming a Colorist, Monitors...

0:57

MUST CHECK For All DaVinci Resolve Editors

9:07

PRO Colorist Node Tree Framework | How To Build A Node Tree | DaVinci Resolve Tutorial

19:55

Pro Colorist Reviews DaVinci Resolve MICRO COLOR PANEL

10:14

REAL "Shot on Film" Look Just Got Easier | Film Look Creator | DaVinci Resolve 19

14:23

The TRUTH About the Film Look Creator (i read the manual) | DaVinci Resolve 19

7:28

NEW ULTRA NOISE REDUCTION vs Neat Video | DaVinci Resolve 19

13:20

A Pro Colorist's Perspective on the Color Page Updates | DaVinci Resolve 19

2:39

Introducing Visionary Colour Grading in DaVinci Resolve | Online Course

9:17

BEST Export Settings as a Colorist | DaVinci Resolve Roundtrip Workflow Tutorial

22:39

How To Work with a Colorist | DaVinci Resolve Roundtrip Workflow Tutorial

0:51

Colorist Reel 2023 | Danny Gan

1:01

Beauty Commercial Grade with the Visionary PowerGrades

13:00

Beauty Comercial Grade Like A PRO | DaVinci Resolve 18 Tutorial

10:14

BEST Monitor for Color Grading | LG Ultrafine OLED Pro 4K 27EP950 Monitor Review

3:02

Cherry Blossom in Tokyo | Dehancer Pro Film Emulation

10:29

SIMPLE NODE TREE for Any User Level | Visionary Powergrade Template | DaVinci Resolve Tutorial

7:51

CINEMATIC Conversion LUTs for Sony S-Log3 & S-Log2 | Visionary Base LUTs

14:12

OPPENHEIMER FILM LOOK | Christopher Nolan Color Grade | Davinci Resolve Tutorial

8:20

Using BLEACH BYPASS Like a Pro | Davinci Resolve 18 Tutorial

11:57

BEST PRACTICES for Noise Reduction ft. Neat Video | Davinci Resolve Tutorial

0:59

Creating the Ozark Blue Look

1:00

ASUS PA147CDV Quick View

13:02

ASUS PROART PA32UCR REVIEW | HDR Color Grading Monitor for Creators

6:06

THE CLEANEST WAY To Grade Teal & Orange | Ozark Look | DaVinci Resolve Tutorial

0:33

ANIME LOOK Colour Grade

11:06

ANIME GRADE | Japan Color Grade | Davinci Resolve Tutorial

0:59

Dehancer Pro 7 Update | Davinci Resolve 18

8:19

FINALLY! Dehancer Pro 7 Update | Davinci Resolve Tutorial

2:57

How To Import, Export & Apply LUTs | Davinci Resolve Tutorial

11:00

DJI D-Log Colour Grade | Mavic 2 Pro | Davinci Resolve Tutorial

0:59

How To Import & Export A Node Tree | DaVinci Resolve Tutorial

12:21

One Node Tree to RULE THEM ALL | DaVinci Resolve Tutorial

3:03

WATCH THIS before getting Dehancer Pro | Pros and Cons

17:17

Dehancer Pro Review (as a colorist) | Full Walkthrough | DaVinci Resolve Tutorial

3:22

Using Remote Grades for FASTER Grading | DaVinci Resolve Tutorial

8:47

Color Grade Before & After Wipe Tutorial | DaVinci Resolve Tutorial

5:54

Cinematic Contrast with Editable Splines | DaVinci Resolve Tutorial

11:01

How To Be A Professional Colorist in 2023

1:00

Colorist Reel 2022 | Danny Gan

Danny Gan Live Stream

8:06

Decklink Mini Monitor 4K | Unboxing, Review & Comparison | Blackmagic Design

6:09

$400 Monitor Vs. $4,000 Monitor | ASUS ProArt Monitor PA32DC PA32UCX-PK PA279CV

1:28

Serpihan (Pieces), 2022 by Puteri | Sony FX3 + FE 35mm F1.8 + Amaran T2c

4:57

BEST Sony FX3/30 Custom Buttons Setting For Filmmaking

11:20

FASTEST Way To Color Grade Sony S-Log3 | Color Space Transform | Davinci Resolve Tutorial

4:45

CINEMATIC Exposure For S-Log3 (as a colorist) | Sony A7IV A7SIII FX3 FX30

12:09

Commercial Color Grade Like A Pro | Davinci Resolve 18 Tutorial

2:11

Sony FX3 Dance Cover ft. Jo Chan | 有一種悲傷 (A Kind of Sorrow)

8:48

How to Color Grade like Wong Kar-wai | Davinci Resolve 18 Tutorial

4:05

10 Reasons Why the Sony FX3 is BETTER for Video than Sony a7IV / a7sIII

7:31

Sony FX3 Unboxing [ASMR] | What's in the Box?

8:07

K-Drama Color Grade | Davinci Resolve 18 Tutorial

1:58

Sony A7III Video Montage ft. Chester | Inspired by Danny Gevirtz

2:57

How To Shoot A Stop Motion Camera Rig